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     A common goal of graffiti writers is to create a personal and unique style of writing different from the others. This usually results in the creation of a personal alphabet (A-Z) and set of numbers (0-9) influenced by the styles and techniques created by past writers. I've drawn upon my own history to create a symbolic set of shapes that reference a personal alphabet that is non-representational of existing letters or numbers. Previous two-dimensional surface designs influenced from skateboarding, graffiti, architecture, and other experiences have been cropped into abstract shapes and compositions. The shapes were plasma cut out of steel and became dies which clay could then be forced through. Totaling 36 in all, the dies are a symbolic personal alphabet rooted in my past. Clay is extruded through these shapes, resulting in geometric columns that can be cut, altered, and reconnected.


     These “drawings in space” become a language of my own, but one that is capable of being interpreted by whoever is “reading.” Dirty brick-colored clay makes most of the forms take on an architectural appearance, but they can also take on the look of other materials or objects, both ancient and modern. They can suggest time and motion, success and failure. They can propose risk and adventure, or relationships (good and bad). The ambiguous and cryptic nature of the work invites viewers to decode this for themselves.  References to my past are disguised in plain view from the extruding process, becoming a completely new and infinite set of forms to be interpreted.


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